There will be many suitors for a character such as that, but at this price, Elac seems one of the few companies that can do it with such aplomb. ![]() Some may prefer the slightly more excitable nature of Fyne Audio’s F303s, for example, which is echoed further up the chain by speakers such as B&W’s 603s.īut this is in many ways a more mature, honest presentation – neither sucking the life out of a piece, nor exaggerating it. It can sound warm and full when asked, but it is those sharp jabs that are most impressive these towers are agile enough to dip down low with little notice and still hold their head further up the register. Elac Debut 2.0 F5.2 Floorstanding Speaker, Black (Each) ELAC Uni-Fi UB5 3-Way Bookshelf Speakers by Andrew Jones - Pair - Black. Triangle AIO Twin Wireless Speakers & Thetis 340 Subwoofer: Review. ![]() the Q Acoustics 3050i floor-standing loudspeaker that retails for almost three times the price. Thanks to their multiple reflex ports and three-way driver configuration, these Elacs can go low, but there is bass clarity beyond the grasp of most floorstanders at this price. Jones has moved on to MoFi but we still have the Elac Debut 2.0 B5.2 to recommend for less than 300 depending on where you find them. Most impressive is the F5.2s’ bass response. Good bass extension from each speaker model. Front baffle width is now similar to the Uni-Fi line. Re-designed drivers, crossovers and enclosures. Snappy timing and an expressive range of dynamics helps lock in rhythms, and while these speakers don’t perhaps throw the music at the listener as much as lay it before them, it’d be wrong to say they lack punch. Enjoyable, fatigue-free sound quality with excellent midrange clarity. Plenty of speakers can dig impressive levels of detail out of a recording, but what helps Elac stand apart here is that the F5.2s are also full of life. Ladies and Gentlemen, introducing the ELAC Uni-Fi 2.0 ELAC provided me with a 5 channel speaker system made up of a pair of Uni-Fi 2.0 UF5.2 towers, a UC5.2 center channel and a pair of MURO OW-V41L on-wall speakers for surround duty. It’s a generally airy presentation, but nothing feels detached, as if it doesn’t belong to the whole. Strong organisation ties instruments together, particularly as each is given its own little space in which to dance. It is a spacious soundstage too, without losing focus.
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